The works in this series depict deserted streets, states of consciousness.
The large paintings depict street corners, backyards, settings that create a formalistic lexicon that leans on metaphors borrowed from reality: buildings, fences, graffiti inscriptions, pipes, all interwoven to provide a new perspective of places that are usually invisible to the eye.
Orit is drawn to backyards where reality is not mediated and is reduced to structural(...read more)